When finding designers that used Bridget Rileys work and prints I found a number of well know designers however im only going to mention the designer which most people would be able to relate to. The designers i am planning to mention are:

• Zandra Rhodes


• Vivienne Westwood


• Oscar de la Renta


• Laura Ashley


• Roberto Capucci


• Marc Bohan (design director for Christian Dior)

I have also found a good image which shows one of Roberto Capucci's Op designs.

Also Sash I have found a good image that brings inspiration from Riley's prints into the modern day, I am not sure if this image with help or if you need it but I thought I would post it anyways.

Op Art Helmet- Eley Kishimoto Collaboration with Ruby Helmets 2008.

"OP and the commodiciation of the future"

After reading over the weekend from the book "Embodied Visions:Bridget Riley, OP art and the sixties" I took some notes, picking out sections which link her art work and prints with the media and fashion industry.

• At the beginning when OP art first started to become popular it was frequently described as "uncomfortable physical efftect" by the media.


• After "The Responsive Eye" exhibition in May 1965 OP art became more popular among the people. A month after the exhibition had closed art critic Mario Amaya from the finacial Times on the wide varitey of consumer goods were currently being done with OP designs.


• Soon OP pieces of Art and Prints were copied and used for mass-production goods where the imagery was used for decoration, fashionalbe commodities (body and clothes) as well as for within the home.


• They art work and prints first became most popular in New York USA however by June 1954 it already reached Britain with a huge craze for the prints.


• Evening gowns, Wall paper and even some bibles were made based on OP art.


• Such commercialisation of this type of fine art became a phenomenom and changed the future within every public exhibition shop, as where every public art exhibition everyone would be able to buy its own T-shirt or souvenir with its picutres or prints.


• The craze attracted international attension and controversy .


• For Bridget Riley the widespread appropriation of her paintings by designers of consumer goods was strongly resisted by her as she felt it was trivializing her work. Concern with grew amongt those art critics whom first supported OP art.

yeh baby !

Yeh baby ! Austin Powers clip 5second in http://www.youtube.com/watch?v=hPEMiCLjur8

Meeting

Are people able to meet up tomorrow sometime, to discuss the progress of our presentation even if it is just a quick chat to see that ever one is on the right track .

Bridget Riley

After our last meeting, I stumble across this video when I was researching into Bridget Riley. I thought that I would post it, as it might help with our presentation or we might find a quote that we could useful. One thing that was interesting about this video is that it names I think two artist, that we could use for the Historical examples part of our presentation.

Sorry I couldn't post the video on here directly, so I had to post the web address instead.

http://www.bbc.co.uk/news/entertainment-arts-11791205

RErun

after our meeting on Thursday i thought i would upload all the images and information i researched on Bridget Riley and fashion trying to put it in to a a power point but doesn't want to work !
below is a few images and text that i will place into PowerPoint when i get it working:

Bridget Riley took the world of fashion by storm but not by choice !
Her work was used and interpreted into many items of clothing and furniture and the swinging sixties was awash with her work.
Not since the 1920's had fashion changed so radically with a growing teenage revolution in the making music, film ,clothing and culture in London formed the sixties into what we know now !
There was no more dressing like you parents a sense of style was created and Bridget Riley's trippy designs were used as the pattern.

(image 1)

The Mod look was about looking to the future sharp, bold and minimalist prints MOD-ernist
The monochrome geometric prints of Op Art perfectly complemented the bold shapes of the mod look

(image 2)

As Op Art and the artists at the movement’s forefront gained recognition; the youth culture explosion of the sixties was gaining momentum. Mod bands such as The Who crossed over to the U.S. and everyone wanted a piece of The London Look
(images)

Just a roughly outline of what i will talk about images will be added later hope this is OK ?

Meeting

Are people able to do a group meeting on friday morning to discuss further the presentation?